Showing posts with label Chinese Arts. Show all posts
Showing posts with label Chinese Arts. Show all posts

Tuesday, November 1, 2011

Half the Sky: Women in the New Art of China 23-09 to 12-11-2011 半边天:中国女性新艺术

Yin Xiuzhen 尹秀珍《发动机》

Drexel University Curates Major Exhibition of Contemporary Chinese Women Artists
featuring 60 works of art by 22 Chinese Women Artists

Bingyi, Cao Fei, Chen Qiulin, Han Yajuan, Hu Xiaoyuan, He Weina, Jiang Jie, Lin Jingjing, Liu Liyun, Liu Manwen, O Zhang, Qing Qing, Qi Peng , Shi Hui, Song Kun, Tao Aimin, Xiang Jing, Xiao Lu, Xing Danwen, Xu Xiaoyan, Yu Jingyang
 


An historic exhibition of contemporary Chinese women artists will be presented at Drexel University from September 23 to November 12, 2011. Co-curated by the National Art Museum of China and the Leonard Pearlstein Gallery of Drexel University, this survey-scale exhibition will be the first of its kind in the United States. More than 60 artworks by 22 woman artists, including painting, photography, sculpture, video and installation, will be on display.


In July, 2008, Holland Carter of the NY Times referred to Chinese women artists as the "quietly emerging sector" of the Chinese contemporary art world. But the phenomenal rush of so many Chinese artists to international success has bypassed the majority of deserving women artists. Half the Sky attempts to redress this situation by representing a cross section of gifted women artists currently working both inside China and in the Chinese diaspora.


It has been decades since Mao Zedong set communist ideology by proclaiming that women "hold up half the sky." In the West, the Women’s Movement of the 1970s and 80s has elevated the esteem in which women artists are held to a point of approximate parity with men. And yet Chinese women artists, while certainly not ignored on the world stage, are nevertheless overlooked to a significant degree.


Cui Xiuwen

Chen Qing Qing


For more information, please visit http://www.drexel.edu/westphal/events/halfthesky/

Tuesday, March 22, 2011

Images of Women IX Exhibition @ Schoeni Art Gallery Hong Kong March 17 - April 4 2010

Zhu Yi Yong, Memory of China Series No. 25, Oil on canvas, 130 x 100, 2010

Works by Cai Lei, Chen Fei, Chen Li, Chen Yu, Fan You Rong, Hou Yan Yan, Jiang Guo Fang, Li Gui Jun, Liu Fei, Liu Hong Yuan, Mok Wai Hong, Peng Wei, Shuai Mei, Wang Yi Guang, Weng Dan Xian, Yang Gao, Yang Mian, Zhao Yi Qian, Zhu Yi Yong

Vernissage: 16 March 2011,   5:00pm - 11:59pm
Exhibition Continues: 17 March 2011 - 4 April 2011

Main Gallery, 21 - 31 Old Bailey Street, Central, Hong Kong

Schoeni Art Gallery is pleased to announce the return of our renowned serial exhibition entitled Images of Women IX on 16 March 2011, coinciding with Hong Kong’s largest charity art event the HK Artwalk 2011. The first Images of Women exhibition was held in 1995 and curated by our gallery’s founder, the late Manfred Schoeni. The exhibition had been held for 8 times over the years since its first showing. Images of Women aimed to explore the different interpretations of the female from a variety of contemporary Chinese artists. Many iconic artists of Chinese contemporary art, whether from the Realism or Avant-Garde school, have exhibited in these serial exhibitions at some point of their career, including Jiang Guo Fang, Ai Xuan, Li Gui Jun, Wang Yi Dong, Zhong Biao, Zhu Yi Yong, Qi Zhi Long and Liu Ye amongst many others. We are delighted to bring back once again the splendour and magnificence of the female form, represented artistically by some of China’s most intriguing artists, to our audience.

Throughout art history, women and the female form have always fascinated male artists, as well as female artists alike. The female protagonists in paintings have served many purposes including men’s interests, obsession, masculine desires, fantasies and anxieties, or from time to time, even gender issues and feminist concerns. The many faces of women and their characteristics such as their sensuality, sensitivity, delicate subtlety, courage and mysteriousness have continued to amuse many artists, arousing their imagination as they repeatedly attempt to portray the enigmatic spirit of this complex creature in their oeuvre.

Li Gui Jun, New Town, Oil on Canvas, 160 x 140, 2002

Peng Wei, Feather Cloth, Paper Painting Installation, 53 x 30 x 22, 2007

Monday, February 7, 2011

Wang Shugang Show @ Beijing Opposite House 2011 Jan - March 王书刚雕塑装置作品展_ 瑜舍酒店

Wang Shugang Show @ Beijing Opposite House 2011 Jan - March
王书刚雕塑装置作品展_ 瑜舍酒店


Graduated from Beijing Central Academy of Fine Arts in 1985, Wang Shugang (b. 1960) developed his career in Germany over 20 years and returned to China in 2000, currently based in Beijing.  His works have been widely exhibited between China, America and Europe and are publicly displayed in China, Germany and Canada.  His arts is well-known in expressing the 20th century daily life in China with Buddhist iconography in a playful sense.
 
 






Sources:
http://review.redboxstudio.cn
http://housevibe.cn

Sunday, October 3, 2010

Fabled Landscape - Yan Heng & Shen Dapeng Exhibition @ HK Tang Contemporary 04-24.10.2010

Fabled Landscape  - Yan Heng & Shen Dapeng Exhibition @ HK Tang Contemporary
寓言的风景——闫珩、申大鹏双个展 @ Hong Kong 当代唐人艺术中心
Date: 04-24.10.2010 

http://www.tangcontemporary.com/default.html



展覽Exhibition 寓言的風景——閆珩、申大鵬雙個展策展人Curator 魏星藝術家Artist 閆珩,申大鵬城市City 香港開幕Opening 2010-10-4 17:30時間Duration 2010-10-04 至 2010-10-24地點Venue 當代唐人藝術中心組織Organizers 當代唐人藝術中心,北京仁藝術中心贊助Sponsor地址Address 香港上環荷李活道233號荷李活商業中心地庫聯繫Contact 852 2544 9918

Saturday, October 2, 2010

Exhibition: Beyond The Broken Skin @ Soemo Fine Arts, Beijing 09.18 - 10.18, 2010 展览:裂肤之痛 @ 北京苏蒙画廊

Exhibition: Beyond The Broken Skin
展览:裂肤之痛

Enthusiasts of Meetings , Huang Yin 2010, 180 by 100 cm, Oil on Canvas


Anti-Vice No.6,  Zhang Haiying 2008 . 160 by 200 cm . Oil on Canvas

参展艺术家:刘芯涛 刘保明 黄引 张海鹰
Artists: Liu Xintao, Liu Baoming, Huang Yin, Zhang Haiying

Soemo Fine Arts 苏蒙画廊
No.66, Xiaopunanjie, Songzhuang, Tongzhou District, Beijing, China
北京通州宋庄小堡南街66号

Opening Reception / 开幕酒会
September 18 4:00-6:00PM / 9月18日下午4点至6点

Exhibition Period / 展览日期
09.18 - 10.18, 2010

T:+86 10 8085 6031 / +86(0)13911520438
El: Lucyhanchina@yahoo.com.cn
W: www.soemo-fine-arts.com


Beyond The Broken Skin

Soemo Fine Arts is happy to present four different artist of exceptional expression in the new exhibition "Beyond the Broken Skin". All four offer a rare glimpse behind the surface - skin - of extreme reality, experienced daily by the modern Chinese urban citizen.

Liu Baoming is concerned with Self-alienation. He sees this as the product of a "self" set in a consumerist society and a materialistic system. He decided to express this in the form of the appearance of the "Self" as a broken visual experience. The series "Extreme Illusion" is a visual account, which opposes the sense of reality. 




Extreme Illusion-A Lady, Liu Baomin 2006, 190 by 150 cm, Oil on Canvas

Zhang Haiying's "Anti-Vice Campaign" series tells a complex story of destitution, desperation, abuse and entrapment, the side effects of modern economics, urban migration and technological progress - the human cost of the present commodity civilazation. By re-contextualizing the way prostitution is represented and perceived, Zhang's paintings strive to convey the human condition, with all its indignities and weaknesses, as a duplicitous victimization of both the oppressed and oppressors.

Liu Xintao's "Despondent Night" is characterized by its homo-chrome colors and irregular frames. The homo-chrome color represents the dark night and the irregular frames might be a suggestion of despondence. Although the theme of "Despondent Night" is the materialization of human beings and the loss of their subjectivity, the artist naturally harmonizes this contradiction.

Huang Yin's works depict the historical era of Mao. The most interesting aspect of her images of the Mao Culture is actually the disappearance of Mao's own image. The artist recalls this history not through Mao but some specific scenes that represented that era - red banners, slogans, large-scale production campaigns, large-scale iron & steel making drive, model operas and so on. Huang Yin's image narration through the private eye carries special significance due to its personalized features.

Monday, September 20, 2010

Weekly Review: The Song of Two swallows - Mr. Wu Guan Zhong, The Legend of Chinese Painting

This year, I have made 2 visits to Hong Kong Museum of Arts for one exhibition, the first visit was led by overwhelming media coverage, and the memory and of the exhibition made me to re-visit it for more in-depth understand of the artist journal and the meaning behind his art work.

(1) Mr Wu Guan Zhong
Mr Wu Guan Zhong (August29, 1919 - June 25, 2010)  is the Legend of Chinese Painting, who has contributed his life to Arts by teaching and continue searching in painting new pieces before he passed away in 2010.  Born in Yixing in Jiangsu province, his life and artworks has captured the transformation of China from Qing Dynasty to Revolution Era, Communism and into recent China.

Wu was originally an engineering student, until a visit to Hangzhou National Art College by Lin Fengmain which brought him to aware of his passion in arts.  He started study at Hangzhou National Art College and graduated in 1942.  In 1947, being the first group of artists received scholarship from China Government to study in France, he attended Nationale Supieure de Arts in Paris.  He returned to China in 1950to teach at several universities in Beijing and bring his influence of the east west cross culture back to China.  He as the pioneer of Chinese Modern Arts, his creativity was not recognized until later year after more exposure in the outside of China.

In Wu's life, he believe The Two Swallow in 1981 is one of the most representative painting in his life.  The start of this painting is a capture of a moment of attractive scenes before he caught a train after his outdoor painting practice with his student.  He quickly sketched out the scenes and create the painting based on the moment.

During his interview about his generous on the donation of 51 pieces of his artworks to Hong Kong Museum of Arts, he explained it as an appreciation of his 2002 exhibition in the same museum with viewing his 3 recognized paintings were exhibited parallel together.  The 3 paintings from 1981 Two Swallows to ten years later, 1988 Former residence of Qiu Jin and ended with 1996 Reminiscence of Jiangnan in another 10 years later has captured Wu's sensation and joy in being understand from a bosom friend.

(2) Two swallows  1981  Ink and colour on paper
“Across the painting surface, the whitewashed wall dominates like an immaculate princess dressed in white. The black doors and window stand out, cutting up the wall into novel planes that rejuvenate the old looks. In essence, the East and the West are no different aesthetically. Despite the absence of swallows, Mondrian would have been impressed by the minimalist oriental dwellings.”  by Mr. Wu Guan Zhong, Quote from  Hong Kong Museum of Arts


(3) Former residence of Qiu Jin 1988  Ink and colour on paper
“Ten years after the simple and serene Two Swallows was done, I painted Former Residence of Qiu Jin. The big black door is like a coffin in a tragic mime show. The swallows perching on the power line by the house are chirping away.” by Mr. Wu Guan Zhong, Quote from  Hong Kong Museum of Arts


(4) Reminiscence of Jiangnan  1996  Ink on paper
 “A decade after Former Residence of Qiu Jin was done, I painted Reminiscence of Jiangnan. The whole of Jiangnan is captured in just a few dots and a few lines. Jiangnan is too elusive to grasp and the Jiangnan son is too oblivious to come home.” by Mr. Wu Guan Zhong, Quote from  Hong Kong Museum of Arts

The 3 paintings in parallel has shown the transformation of Wu's painting, from concrete to abstract.  In later years of Wu's life,  his painting has been more absract and represent his thinking as an elder man toward the end of his life.

The aloof  2009  Ink on paper

“Up, up and away towards the infinite high, they are meant to be looked up to.”

He once mentioned his arts is not for living, but for creativity and adventure, which would like to leave his spirit to the future to continue his footstep.

Photo Credit:
Figure 1: China Visual
Figure 2-4: Hong Kong Museum of Arts

Extended Reading:
(1) 電視特備節目:吳冠中的藝術 (Special TV Program: The Arts of Wu Guan Zhong),香港電台 Radio and Television of Hong Kong
(2) 吳冠中生平簡介 (Bibliography of Mr. Wu Guan Zhong)  [Chinese]
(3) Wu Guan Zhong, Wikipedia [English]
(4)  A Glimpse on Wu's Donations, Hong Kong Museum of Arts [Chinese/ English]
(5) Wu Guangzhong's Art work, Artnet [English]
(6) 冠絕天下﹣ 談談吳冠中(The Legend of the Arts World - talking about Wu Guan Zhong) ,Hong Kong Art Review, Jan 9, 2009  [Chinese]
(7)《我負丹青--吳冠中自傳》(The Self-Bibliography of Wu Guan Zhong), Wu Guan Zhong, Joint Publishing Limited, 2010, ISBN 9789620424359  [Chinese]